Stateless in Shatila: Palestine’s Perpetual Refugees

Claire Harris, winner of the Amnesty International Australia Blogging Competition 2018, gives us her account of her visit Shatila refugee camp in Palestine.

“I am terrorist”, the teenage boy says and he laughs. His friend leans on his shoulder and flashes a beaming set of straight white teeth.

I am on my way to meet the director of the Children and Youth Centre of Shatila Refugee Camp in the suburbs of Beirut. It is just a fifteen minute drive from the ultra-modern downtown where families stroll along the waterfront and more fortunate eighteen-year-olds than the two before me cruise around in Peugeots pumping Arabic pop music and smoke hookah before an explosive red-and-yellow sunset.

It is a maze of seven-storey high matchbox compartments, filthy grey and draped with layers of washing, the concrete balconies towering over narrow alleys strewn with rubbish and soaked in sewage.

Even though Shatila is called a refugee camp, it is actually a neighbourhood and its inhabitants are not refugees; the younger generation were born here, the older have called it home for thirty years. It is a maze of seven-storey high matchbox compartments, filthy grey and draped with layers of washing, the concrete balconies towering over narrow alleys strewn with rubbish and soaked in sewage. The gap between the buildings, sometimes no more than a metre or two wide, is hung with an ugly net of thick black cables, so low you could put your hand up and touch them.

Under this mess of electrical wires, the children play. “Take photo, take photo!” they shout, posing with their two fingers raised in the international sign of peace. Snap! They scurry to grab some toys that lie scattered about the paved concrete. “Take photo, take photo!” they cry again and this time they hold plastic guns in the air, brandishing these fake weapons above their heads. Snap.

Behind them, the walls are painted thick with a jumble of Palestinian flags, images of jail bars and chains, burning American flags, a swastika staring from anti-Israeli scribblings and the bricks are plastered with peeling posters of ‘heroes’ who have defied America and Israel – an unlikely combination of Yasser Arafat, Saddam Hussein and Che Guevara.

When two young men walk past strapped with bullet-proof vests and carrying huge semi-automatic guns, not one of these children bats an eyelid.

There is no space for the kids to run around in the cramped alleys so they are crammed into the two cybercafes where they use virtual guns to shoot animated soldiers. When two young men walk past strapped with bullet-proof vests and carrying huge semi-automatic guns, not one of these children bats an eyelid.

An old lady sitting in a doorway beckons me toward the single room she lives in and makes me tea over the flame of a gas stove on the floor beside her mattress. On the walls hang photos of her three sons, all killed before they reached middle-age. When I ask her about the armed men, she mutters “Security” and says no more.

The boy who called himself a terrorist is still watching me: “Welcome to Shatila,” he grins. “Welcome to Paradise.” They are two beautiful boys with smooth Arabian complexions and gelled hair, dressed in jeans, fitted t-shirts and high-top sneakers. You could find them in a nightclub in London. But they are here.

Mahmoud has come from a camp in North Lebanon which has been under siege by the Lebanese army for ten days. He smiles when he says that his brother was killed last week. He smiles when he describes how he ran from the camp alone when there was a break in the fighting. He tells me that his mother is still back there along with several thousand residents because she is tired of running but now he is looking at the ground and shuffling the gravel beneath his feet.

The Palestinians of northern Lebanon have recently fled to Shatila, refugees from a refugee camp. Hundreds of families in Shatila opened their tiny homes to welcome the strangers.

“Who helped you escape?” I ask. The question seems to take him by surprise. He flashes a look of defiance. “Nobody.”

The Palestinians of northern Lebanon have recently fled to Shatila, refugees from a refugee camp. Hundreds of families in Shatila opened their tiny homes to welcome the strangers. A few days later, when fighting erupted at another camp in the south causing thousands more to flee, more people were packed into the massively overcrowded 40,000 square metres that already houses at least 17,000 people.

Palestinians in Lebanon are banned from owning their own homes outside of designated areas, Mahmoud explains. Confined to squalid areas like Shatila and barred from well-paid jobs, those that can find employment at all work only the most menial jobs for a pittance. They will never possess Lebanese citizenship, neither will their children or grandchildren.

He tells me that only twenty per cent can afford to go to university, usually funded by militant groups. He was at college in the north but there is no chance he will finish it now. “And the other 80 per cent?” I ask. Mahmoud shrugs.

“Rubbish,” his friend says quickly, grinning again. “We are not people, just rubbish.”

As I continue through the narrow streets of the camp, I am ushered in for cups of tea and puffs of water pipe. Crowded around a dinner table with four generations of two Palestinian families, we dig into hummus and falafel with our fingers from a communal dish among scores of children, distant relatives and neighbours. The door is always open, literally, as friends pop their heads through the window and stroll in and out.

They all fall silent when their camp appears on the screen, projectile missiles ripping through and dissolving buildings into smoke and rubble.

After dinner, we sit in front of a television, flicking perpetual news from channel to channel. One family has come from the camp in the north, they have no homes to return to and what will happen tomorrow and the day after is unknown. A 19-year-old girl giggles and clutches my arm, speaking the only English she knows: “I love you!” and giggles again. Her fiance sits beside her, they should have been married last week but the shelling intervened.

They all fall silent when their camp appears on the screen, projectile missiles ripping through and dissolving buildings into smoke and rubble. There are friends and family trapped inside the concrete blocks that have just vanished before our eyes. The two older women look exhausted and a younger man turns to me and with one hand he indicates around him to the children squatting on the carpet before the TV. “We are all afraid,” he says.

When I finally arrive at the Children and Youth Centre, responsible for keeping the children distracted from their own lives, director Abu Moujahed pulls open a drawer for me and unloads one knife after another that he has confiscated from the kids. Kitchen knives, Swiss Army knives, pocket knives.

“The parents, they do nothing”, he sighs. “How can we stop these children from becoming delinquents if the parents have given up?” Outside in the tiny concrete square that serves as the only playground, some kids kick a tennis ball around because they don’t have a football. “So what can we do?”

“You know,” he goes on. “We have a joke in Shatila. The devil comes to take a man to hell. The man tells him, ‘I will be happy to go with you because anything must be better than here.'”

But Shatila doesn’t make a believer of everyone. “If you visit this place,” Abu Moujahed says before I leave, “you will know that God doesn’t exist.”

A white woman wearing a black hat and a necklace smiles over her shoulder towards the camera.

Claire J Harris has spent the last decade travelling, working and writing around the world. Her short fiction, travel stories and creative non-fiction have been published in Australia, the US and the UK. Claire’s first feature film as writer and producer, Zelos, was released in 2017. She is currently working on a book about her travels.